Archive for the ‘Uncategorized’ Category

Alabama Shakes

Posted: March 25, 2012 in Uncategorized

The amazing Alabama Shakes performing “Hold On” at Pegasus Record in Florence, Alabama for “Live from the Shoals” on August 21, 2011. Best new band in a long time …

Vodpod videos no longer available.

Alabama Shakes , posted with vodpod

As someone involved in the media business, I was both interested and puzzled by some of the statements from the new Publishing Division of the Chamber of Commerce, announced this week.

The division said its priority was to restrict publishers of foreign-produced Bermuda publications like Fast Track,, Bermuda Wedding & Honeymoon, and Destination Bermuda from selling advertising to local businesses. It also claims that local publishers do not get the chance to bid on publications like the Bermuda Airport Magazine, which is supported by the Ministry of Transport.

According to spokesman Ian Coles of Bermuda Media, “more than $2 million in advertising revenue leaves the island each year, with no substantive financial benefit to Bermuda. Some advertisers are not aware that they are supporting an overseas enterprise. These overseas publishers operate in direct competition to our companies, which pay local taxes, employ Bermudians, rent office space and do business with a myriad of local suppliers and utilities.”

Falling ad revenues and the disruptive influence of the internet mean these are extremely challenging times for all publishers but some of these comments struck me as either naive wishful thinking or smacked of unproductive head-in-the-sand protectionism.

At the very least it appears to underestimate the nature of global competition that affects every business in Bermuda, while chastising local advertisers for supporting “overseas enterprises” is a bit rich coming from publishers that print virtually all of their magazines overseas and frequently employ overseas writers, editors, photographers, voiceover talent and designers. What’s good for the goose is apparently not good for the gander.

In the case of Government publications, there is surely an obligation to explore all local production options first. But to infer that just because someone had a better idea that you somehow deserve a piece of the action is nonsense in a free market economy

Besides, many of these overseas magazines spend money on the island by hiring local writers, photographers, designers and sales people. And also don’t many of these publications directly benefit Bermuda in terms of exposure and promoting local businesses and services?

The main reasons they do not print here are firstly because local printers can neither compete financially nor handle the large print runs required. Also, as the main distribution may take place in North America or elsewhere, it simply doesn’t make sense for them to use a Bermuda printer.

It’s hard to see where the chamber’s argument leads. Apart from the work permit issue, what’s next – insist all “Bermuda” publications are printed here or face punitive import duty? Talk about turkeys voting for Christmas!

And while we’re at it, what about ads produced by overseas agencies for local companies? Is the next step to insist local magazines only carry ads designed and produced locally?

And by extension does the chamber think that local advertisers shouldn’t buy space on international websites? It is the ubiquity of an always-on Internet and mobile devices that are the real long-term threat to physical publications. Indeed, calling for tougher work permit restrictions on overseas sales people is likely to be ineffective as solicitation by email and phone is so easy.

Opposing it is, as one colleague aptly put it, like using a cage as a fish tank. Outsourcing, technology and the global competition that comes with it are facts of life.

Not everyone will successfully adapt and thrive in the face of relentless change but perhaps we should perhaps do a little less whinging and work harder to improve local products.
Advertisers will support whatever product or platform best reaches their target market and local companies that think nothing of outsourcing their back office operations for the most couldn’t care less where that media come from.

It seems to me that creativity and quality are our best chance of keeping more of those advertising dollars on-island, not heavy-handed, self-serving protectionism.

[Disclosure: I have written extensively for Bermuda Media, The Bermudian, and The Royal Gazette publications and am a former editor of The Bottom Line, RG Magazine and Destination Bermuda. I presently place client advertising with local and international media.]

Continuing Breezeblog’s countdown of my favourite albums of 2011. See yesterday’s post for albums 10 to 6. Here are numbers 5 to No.1:


5. Noel Gallagher’s High Flying Birds – Noel Gallagher’s High Flying Birds

Gallagher, like estranged sibling Liam and his new group Beady Eye, didn’t take a radical new direction with his first solo album but there was plenty here to restate his position as one of Britain’s better songwriters and his voice has never sounded better. The best Oasis album since Morning Glory and perhaps a hint that some of his best work may still be ahead of him.
Favourite tracks: The Death of You And Me, If I Had A Gun, Stranded On The Wrong Beach

4. Bon Iver – Bon Iver

After the sparse and delicate songs of his critically acclaimed 2008 album For Emma, Forever Ago, Justin Vernon’s follow up was another thing of ethereal beauty but far more diverse and each listen seemed to reveal more layers and textures.
Favourite tracks: Perth, Calgary.

3. The Whole Love – Wilco

Wilco’s first album on their own label (dBpm) was certainly among the year’s most eclectic. The Whole Love switches gears effortlessly from Dixieland to 70s psychedelic and power pop via driving country-blues as only Jeff Tweedy and his ever-changing cast can deliver.  Their best since Yankee Hotel Foxtrot.
Favourite tracks: Art of Almost, I Might, Born Alone

2. El Camino – The Black Keys

I have no idea why Akron’s finest have flown under my radar for so long. For straight-ahead, dirty, gritty bluesy-rock, few do it better right now than Dan Auerbach and Patrick Carney. The fact that this album made many year-end lists despite only being released in early December speaks volumes. With Danger Mouse on board as co-writer and co-producer, it simply takes off with the superb Lonely Boy and doesn’t let up until Mind Eraser, 12 tracks later.
Favourite tracks: Lonely Boy, Gold On The Ceiling

1. 21 – Adele

It’s been a while since an album has dominated globally like Adele’s 21 did in 2011, appealing to so many people across so many social, age and racial lines. Even though I’d tipped her for stardom even before her first album, 19, the scale of her success was as staggering as it is deserved. Inevitably the backlash has started in her native Britain about her ubiquity but make no mistake – this is an album that will be regarded as a classic 20 years from now. A suite of superb, emotionally powerful songs delivered by one of the great voices of our time and enhanced by the understated production of Rick Rubin and Co. Even when stripped back with just a guitar and piano, as it is here in this Tiny Desk Concert for NPR Radio, her voice is stunning. It is hard to believe she is still only 23.
Favourite songs: Rolling in the deep, Someone Like You, Set Fire To The Rain. 

Honourable mentions:

The King Is Dead (The Decembrists) – After the operatic scale of Hazards of Love, a winning return to their country-rock roots.

Ceremonials (Florence+The Machine) – no sophomore crisis on her strong second album.

The Old Magic (Nick Lowe) – Basher reached back to 50s country-blues for inspiration on one of his most finely crafted albums in years.

Battle for Seattle (Little Roy) – A reggae homage to grunge legends Nirvana? Somehow Jamaican veteran Little Roy pulled it off in style.

Young The Giant (Young The Giant) – I know it was released in late 2010 but I didn’t hear of these west coast indie rockers until this year. Besides, a special edition of their debut was released in 2011, so that counts. My Body is still one of the best songs of the past few years.

Ride The Wave, Volume 2 (Various) – A powerful riposte to ignorant claims that there is no good music in Bermuda. Produced by Tony Brannon and Michael Friesenbruch in aid of The Coalition for the Protection of Children, here were 37 rockin’, rappin’ and rhythmic reasons to proudly proclaim: ‘Bermuda’s Got Talent’. And it didn’t even include Collie Buddz or Heather Nova …

And talking of Bermuda, Proud To Be Bermudian might not have pushed any musical envelopes but Johnny Woolridge’s heartfelt song and video was our “We Are The World” moment. In a year of economic gloom and escalating gang violence, it was an emotional and much-needed call for unity and for that reason alone, it deserves to be Song of the Year. Why it hasn’t replaced the embarrassing God Save The Queen as the national anthem remains a mystery.