Je suis … ?

Posted: January 13, 2015 in Uncategorized

Like 9/11, 7/7 and so many other dates now seared into our collective memories, 7/1 is another that will forever be associated with the deadly vengeance of Islamic extremists.

With the Charlie Hebdo and kosher supermarket shootings in Paris followed by news of the horrifying massacres by Boko Haram in Nigeria, and the public flogging of activist Raif Badawi in Saudi Arabia it has been a depressing and disturbing week.

My emotions have run the gamut from shock and outrage to fear and defiance.  It has made me question what that freedom really means to me and what my values and beliefs are. As a former journalist, I have had conflicted feelings about freedom of speech and the role of the media. Like many others I was quick to change my Facebook profile to “Je Suis Charlie” in solidarity. However after the last few days of debating, reading and watching the deluge of coverage, I’m inclined to change it to a more nuanced “avec Charlie”.

Here are ten things I’ve learned this past week:

  1. Charlie Hebdo is a marginal satirical magazine in Paris that now has a worldwide circulation of more than a million.
  2. Its writers and cartoonists were brave and did not deserve to die.
  3. Ayaan Hirsi Ali is even braver.
  4. Publishing a caricature of Mohammed on the front cover of Charlie Hebdo’s post-attack issue was insensitive and needlessly provocative.
  5. Poking fun at Muslims is considered freedom of speech. Satire of Israel is anti-Semitic.
  6. On October 17, 1961, Paris police killed an estimated 200 Algerians protesting against the Algerian War and dumped their bodies in the Seine.
  7. Around 40 percent of Muslims in European countries want to live under sharia law with its stoning of adulterers and execution of those who renounce the faith. The figure is reportedly higher among 16-24 year olds, many of whom want Western countries to become Islamic states.
  8. We may aspire to the oft-quoted ideal, “I disapprove of what you say, but I will defend to the death your right to say it”[Voltaire did not say it, by the way], but we can no longer afford to tolerate intolerance.
  9. A photo op in Paris is worth more to world leaders than one in Baga, Nigeria.
  10. If there is such a thing as Satan, Boko Haram are his foot soldiers.

And finally one thing I didn’t.

If a picture is worth a thousand words, how many lives for a cartoon?

Rewind: Picks of the year

Posted: January 1, 2015 in music, Uncategorized

Tis the season for list-making  so here’s my annual look back at the albums I enjoyed listening to most in 2014. You can  listen to whole albums via the Spotify links provided (where available) or sample 50 of my favourite tracks on this special Spotify playlist.

 

1lewis. The Voyager – Jenny Lewis

“Where you come from gets the best of you,” sings Jenny Lewis on the title track of her third solo album. After a challenging period dealing with the breakup of her band, the wonderful Rilo Kiley, the death of her father and years of insomnia, Lewis channeled all that into arguably her most polished album to date. Her talent of combining acerbic, bittersweet lyrics with gloriously catchy melodies has never sounded better.

>> Listen to the album on Spotify

 

Robert-Plant-lullaby-and-The-Ceaseless-Roar_6382. lullaby and … the Ceaseless Roar – Robert Plant

While former bandmate Jimmy Page noodles endlessly with Led Zeppelin master tapes, Robert Plant continues to widen his musical horizons, exploring the far corners of Americana, folk and world music. Backed by the Sensational Space Shifters, Lullaby was another eclectic triumph. Rainbow was one of my favourite tracks of the year.

 

atkins3. Slow Phaser – Nicole Atkins

I fell in love with Nicole Atkins’ extraordinary contralto voice – somewhere between Roy Orbison and Lana Del Ray – and brilliant songwriting a couple of years ago and this, her self-released third album, did not disappoint, ricocheting from country rock to faux disco via music hall with ease. She deserves to be so much bigger.

>> Listen to the album on Spotify

 

now-porongs4. Brill Bruisers – New Pornographers

The New Pornographers rarely fail to deliver and their latest was exuberant power pop at its best with Neko Case’s Marching Orders the standout track of a very fine set.

>> Listen to the album on Spotify 

 

sonic_Highways5. Sonic Highways – Foo Fighters

Had I not seen Dave Grohl’s accompanying HBO series, this would have probably passed me by like every other Foo Fighters album. But their journey across America, writing and recording a track in each of eight cities, absorbing the musical culture and history along the way, was fascinating. Watching the songs take shape made the album much more rewarding.

>> Listen to the album on Spotify

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This time last year, part of The Royal Gazette‘s history died with its former editor, David White. Twelve months on, we are mourning the loss of another Gazette legend, the cartoonist Peter Woolcock.

His weekly cartoons in the Gazette were as much a part of the political landscape as the politicians themselves. He poked fun at the pomposity and small-town absurdity of it all, not with the cruel barbs of a Gerald Scarfe or Ralph Steadman, but a gentle mocking humour and a knowing wink that more often than not even brought a smile to those being drawn, many of whom paid him for the originals. Woolcock himself admitted (in the video interview below) that he couldn’t do what political cartoonists did in the UK or the US. “They really are sometimes pretty vicious,” he said. “I don’t think there’s any room or need for that here.”

They very much reflected his personality – gentlemanly, modest, compassionate with a deprecating sense of humour and, as Andrew Trimingham, reviewing Woolcock’s annual Woppened collection of Gazette cartoons, once put it, “an unerring instinct for silliness”.

Born in Buenos Aires, Argentina to British parents, and a Second World War veteran, he came to Bermuda in 1981 and began drawing his political cartoons in 1983, first in the Bermuda Sun and then the Gazette.

A consummate draughtsman who worked in pen, ink and watercolour wash, he had cut his illustrative teeth in what he later called “the golden era of cartoons” in the 1950s, spending more than 30 years drawing for children’s books and comic strips, including The Adventures of Mr. Toad (his favourite), Tiger Tim, and several Disney books – 101 Dalmatians, Robin Hood, Jungle Book, Dumbo and Winnie the Pooh – although he found conforming to Disney’s strict character formats stifling compared to creating his own.

When I was editor of RG Magazine in the 1990s, Peter was a frequent visitor to our offices – either to chat and share a spot of gossip that usually started with a conspiratorial “Of course, what I heard was …” or deliver one of his splendid works.

We commissioned him to do several Vanity Fair-style illustrations for the magazine, among them two of my favourite covers – a smug Premier David Saul in 1996 and Colonel David Burch in 2000. Burch was Premier Jennifer Smith’s Chief of Staff at the time but was much mocked as being little more than the Premier’s bag carrier. The famous bag, of course, was in the picture too.

Peter Woolcock was truly a national treasure and was tragically killed yesterday after being hit by a car on his way to deliver what would be his last hand-drawn cartoon for the Gazette. Ever the old-school traditionalist (there were never scanned or digitally-produced images e-mailed to the editor, of course), at 88 he still believed in the personal touch.

That touch will be sadly missed. His passing really is the end of an era.

 


 

Listen to Peter talk about his art and career in this 2009 interview by Milton Raposo.